The T. S. Eliot Studies Annual strives to be the leading venue for the critical reassessment of Eliot’s life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays.
Yeats, Philosophy, and the Occult is a collection of essays examining the thought of the Irish poet W. B. Yeats and particularly his philosophical reading and explorations of older systems of thought, where philosophy, mysticism, and the supernatural blend.
In addition to being a major twentieth-century author, John Dos Passos painted, principally in watercolor, throughout his career. This book demonstrates that Dos Passos’s lifelong commitment to and practice of pictorial representation are vital aspects of his career because they confirm and manifest in both verbal and visual stylistics such modernist tendencies as Fauvism, Cubism, and Expressionism. This book reproduces 68 examples of Dos Passos’s art, almost all in full color.
The romances of Herman Melville, author of Moby-Dick and Billy Budd, Sailor, are usually examined from some setting almost exclusively American. Yet, a series of expanding literary and technological networks was active that made his writing part of a global complex. Intervisionary Network explores a range of these connections and reveals that Melville was dependent on Balzac and his universal vision in much of his prose writing.
100 Years of Clemson Architecture: Southern Roots + Global Reach Proceedings is a large-format, image-rich paperback book. Its 114 full-color, glossy pages include essays, discussions, and images that explore the Clemson University architecture program's century of accomplishments.
Virginia Woolf and Her Female Contemporaries places Virginia Woolf's writing in context with that of other women writers during the first decades of the twentieth century. The book increases our understanding of many female writers, helping us to comprehend how they contributed to, and complicated, modernist literature.
By bringing Italian primary sources and new approaches to the cultural project of Mussolini’s regime to bear on Pound’s prose work, Fascist Directive shows how Pound’s modernism changed as a result of involvement in Italian politics and culture. At the same time, it uses the familiar figure of Pound to provide an entry for scholars of Anglo-American modernism into the diverse and complex realm of Italian modernism.
Rewriting The Hour-Glass offers a new approach to the display and delineation of texts, visual aids, and published variants and presents for the first time a complete array of amendments that Yeats made in copies of the relevant editions that he had at hand.
This book combines biography and textual scholarship to bring to life the dramatic story of the writing of Sons and Lovers.
The Reimagining of Place in English Modernism analyses key texts by D. H. Lawrence, John Cowper Powys, Mary Butts, and Virginia Woolf, charting their respective attempts to forge new identities, perspectives, and literary approaches that reconcile tradition and modernity, belonging and exploration, the rural and the metropolitan.
Love and Sex in D. H. Lawrence describes how the tortuous developments in his relationship with Jessie Chambers are reflected in his writing, his struggle against his undoubted leanings toward homosexuality, the war he declared on the concept of romantic love, and how, after insisting on the idea of male dominance, he returned (although only in part) to a more humane vision of relations between the sexes in the various versions of Lady Chatterley’s Lover. Check out David Ellis's personal website: http://dellis-author.co.uk/home.php.
W. B. Yeats's "A Vision": Explications and Contexts is the first volume of essays devoted to A Vision and the associated system developed by W. B. Yeats and his wife, George.
Virginia Woolf Writing the World addresses such themes as the creation of worlds through literary writing, Woolf's reception as a world writer, world wars, and natural worlds in Woolf's writings. The collection represents the theme of internationalism in Woolf's work, but its global appeal is likewise reflected in the diverse range of contributors from around the world.
This memoir, a young poet’s tragicomic account of crossed loves and rebellions as he grows from boy to man under the vigilant eyes of the state in the Soviet Union between the 1950s and 1970s, can be approached as a bildungsroman. Set in Tallinn, Riga and Moscow (with episodes in Uzbekistan, Moldavia, and the Ukraine), it deals with the experiences of young people of that period, their friendships and attempts to form erotic/romantic attachments, as well as their search for national—Baltic, Jewish, Russian—identity while being watched and sometimes interrogated by the secret police.
Writing Modern Ireland examines the complex literary manifestations of Ireland and Irishness from the turn of the twentieth century to very recently. Together with examinations of the nation, the collected essays consider Irish identities that may be sexual, racial, regional, gendered, disabled and able-bodied, traumatized and in the process of healing.
Virginia Woolf and the Common(wealth) Reader presents twenty-eight essays and four poetic invocations on the concept of "common(wealth)," addressing geographical, political, and imaginary spaces in which different readers and readings vie for primacy of place.
A facsimile edition in three volumes. Today, this classic of 1893 is still illuminating for the lifetime influence it had on one of its editors, W. B. Yeats, who became perhaps the twentieth century's greatest poet in English and, like Blake, a visionary one, at that.
Architects are known for drawing blueprints with T-squares and triangles on drawing boards. They no longer do: building designs today are produced on computers. Architectural projects, called work on the boards, moved off the boards. Using both words and pictures, Off the Boards tells the story of the transition.
Interdisciplinary/Multidisciplinary Woolf comprises thirty-five essays linking inter- and multidisciplinary scholarship to the intellectual and creative projects of Woolf and her modernist peers.
This edition is the only one that gathers in one place all of West's original poems, including some manuscript versions of published and unpublished work.
Contradictory Woolf collects 37 essays on the theme of contradiction in Woolf's writing, widely explored in relation to auto/biography, art, philosophy, cognitive science, sexuality, animality, class, mathematics, translation, annotation, poetry, and war.
Virginia Woolf and the Natural World explores Woolf's complex engagement with the natural world, an engagement that was as political as it was aesthetic. The diversity of topics within this collection—ecofeminism, the nature of time, the nature of the self, nature and sporting, botany, climate, and landscape, just to name a few—fosters a deeper understanding of the nature of nature in Woolf's works.
This edition engages with and acknowledges a number of precursor texts, the most evident being the four editions of Lyrical Ballads that mark the success of the once experimental verse that the poets ventured to publish, at first anonymously, in 1798, as well as the commemorative facsimiles published by David Nutt (London) and edited by prolific scholar, editor, and poet Edward Dowden (1843–1913).
Woolf and the City collects twenty-five essays organized around six presiding themes: Navigating London; Spatial Perceptions and the Cityscape; Regarding Others; The Literary Public Sphere; Border Crossings and Liminal Landscapes; and Teaching Woolf, Woolf Teaching. It also includes a special forum on Woolf's legacy in and out of the academy. Beyond the volume's focus on urban issues, many of the essays address the ethical and political implications of Woolf's work, a move that suggests new insights into Woolf as a "real world" social critic.
This volume reintroduces Edward Dowden, a significant poet of the nineteenth century, to a modern audience which has forgotten, probably, that this distinguished Irish authority on Shakespeare, Goethe and Shelley thought of himself as a poet first.
The Eleventh Annual Conference on Virginia Woolf was the first to be held outside the United States. This voyage across the Atlantic was the stimulus for an exploration of themes of voyaging in Woolf's works, from her interests in travel and cross-cultural encounters to her imaginative voyages between texts and genres...and the subsequent voyages her texts have made into the work of others.
Woolf Editing / Editing Woolf focuses on Woolf as editor both of her own work and of the Hogarth Press, and on editing Woolf—on the conflation of textual and theoretical criticism of Woolf's oeuvre. Since many contributors are editors, creative writers, and critics, contributions highlight the intersections of those three roles.
In this companion book to Mrs. Dalloway, Molly Hoff illuminates much that is hidden in Virginia Woolf's celebrated and often misunderstood novel. Mrs. Dalloway is brimming with references, both overt and subtle, to other works of literature, historical events, and goings-on in Woolf's own life. Virginia Woolf's Mrs. Dalloway: Invisible Presences serves, as Hoff states in her preface, "as a kind of reference manual for commentary on individual passages that may be of interest."
Virginia Woolf: Art, Education, and Internationalism focuses on the themes of art, education, and internationalism. This volume presents new research by an international team of scholars on topics as diverse as Woolf's response to war, Woolf and desire, Woolf's literary representation of Scotland, Woolf's connection to writers beyond the Anglophone tradition, and Woolf's reception in China, to note just a few.
During the past thirty years, the sensitive management of historic landscapes has emerged as a prominent concern among those who appreciate how preserving a rich and vital past is integral to successful community and environmental stewardship.