HISTORY — Humanities Hub director James Burns was an invited presenter at the symposium, “Colorful Threads: Bridging Oceans Through Artistic Narratives of the Indian Ocean Rim,” held at the Africa Institute in the United Arab Emirates in December. His presentation, “Movie-mad Island: Cinema and Public Leisure in Colonial Mauritius, 1897-1968,” featured an ARC-GIS Storymap that was developed with the assistance of Digital History Ph.D. student Addison Horton and staff at the Clemson University Geospatial Institute. All conference papers will be published in the Duke University Press Journal, “Monsoon: Journal of the Indian Ocean Rim.”
HISTORY — Professor Vernon Burton spoke on the “Two South Carolina Reconstructions and how Briggs v. Elliot became Brown v. Board” at the Horry County Museum on December 2 as part of the South Carolina Humanities series, “Just Sharing: Building Community Through Stories of Our Past.” On December 4, Burton’s discussion with David Rubenstein of the New York Historical Society on “Justice Deferred: Race and the Supreme Court” aired on the “For the Ages: A History Podcast.” On December 7, Burton appeared as a guest alongside Maricopa County, Arizona, Supervisor Bill Gates on NPR’s “The Middle with Jeremy Hobson” to discuss how democracy is at stake in the 2024 election. On December 17, Burton lectured on African Americans and the American Revolution for the keynote of the Charleston Victory Day commemoration for Revolutionary Charleston America 250.
ENGLISH — Pearce Professor of Professional Communication Jordan Frith’s newest book, Barcode, has been mentioned on CNN, The Conversation and in The Atlantic. The book is an engaging exploration of the cultural history of the barcode that examines how this taken-for-granted 50-year-old technology significantly shaped the global economy and became maybe the most recognizable icon of contemporary capitalism. The book covers the early history of the barcode. It analyzes how the barcode somehow ended up playing a significant role in sci-fi dystopias, biblical prophecies, consumer protests, labor movements and a presidential election.
PERFORMING ARTS — Brooks Center Director Emerita Lillian Utsey Harder, artistic director of the Utsey Chamber Music Series, secured one broadcast on America Public Media’s “Performance Today” in December with a broadcast on December 11 of Joachim Stutschewsky’s “Hassidic Fantasy” by the Goldstein-Peled-Fiterstein Trio from their concert on February 9, 2023.
LANGUAGES — Department of Languages chair Joseph Mai’s in-depth review of Martin O’Shaughnessy’s recent work, “Looking Beyond Neoliberalism: French and Francophone Belgian Cinema and the Crisis,” in “SubStance.”
GLOBAL BLACK STUDIES — New assistant professor Vincent Ogoti co-authored an article with Reginold A. Royston titled “Voicing Afro-Modernity: How Black Atlantic Audiobooks Speak Back.” The piece published in the “Journal of African Cultural Studies” examines the evolving world of audiobooks and how they breathe new life into critical works of Black Atlantic literature. The authors explore how audiobooks like Zora Neale Hurston’s “Barracoon” and Yaa Gyasi’s “Homegoing” resonate with listeners, offering a fresh perspective on these profound narratives. The article highlights how sound studies scholars and literary critics alike can reconsider the importance of the “talking book” as a critical form of oral literature. Ogoti and Royston offer a method of “close listening,” drawing on the tactics of reading in sonic literary studies and suggest, through engagement with the work of scholars such as Ato Quayson, Tsitsi Jaji and others, an interdiscursive approach toward “binaural” voices in African and Afro-descendant cultural production.
LANGUAGES — Professor Eric Touya published “Liberal Arts Approaches to Teaching Women Entrepreneurship in Senegal: Narratives, Ethics, Empathy” in “The Entrepreneurial Humanities: The Crucial Role of the Humanities in Enterprise and the Economy.” He also published a review of “Gender and the Spatiality of Blackness in Contemporary Afro-French Narratives” by Polo B. Moji in “French Review, 97.2” and of “Misère de l’homme sans Dieu: Michel Houellebecq et la question de la foi” by Caroline Julliot et Agathe Novak-Lechevalier in “French Review, 97.1.”