Historic Preservation

MSHP 2016 Summer Internships

The MSHP Class of 2017 has the first year of graduate school behind them and they are off to various internships across the country. From preservation architecture firms to non-profits to national parks, see where our students are working this summer:

Jennifer Baehr – Weese Langley Weese Architects LTD, Chicago, IL

Jessica Cantrell –Historic Vehicles Association, Allentown, PA ; The Oaklands Mansion in Murfreesboro, TN

Cassie Cline – Historic Charleston Foundation, Charleston, SC

Caroline Darnell – NCPE Sequoia and Kings Canyon National Park Internship

Alena Franco – Warren Lasch Conservation Center, Charleston, SC

Rachael Freels – Clemson University/College of Charleston Graduate Program in HP, Charleston, SC

Kirsten Freeman – Lyndhurst, National Trust Site, Tarrytown, NY

Morgan Granger – Richard Marks Restoration, Charleston, SC

Clayton Johnson – Edgewood Builders, Inc., Charleston, SC

Jen Leeds – National Park Service, Historic Preservation Training Center, Frederick, MD

Kymberly Mattern – United Building Envelope Restoration, Manassas Park, VA

Meg Olson – Richard Marks Restoration, Charleston, SC

Ben Walker – Bennett Preservation Engineering, Inc., Charleston, SC

Second Year Student to Present at American Institute of Conservation Conference in May

http://aics44thannualmeeting2016.sched.org/event/6dyz

MSHP moves to The Cigar Factory

IMG_0727Many of you may have already heard that our program will be moving from our current location at 292 Meeting Street to new quarters on the second floor of the Cigar Factory on East Bay Street. As we plan for relocation, we wanted to announce what we know about the building, our place in it, and when you can expect to hear about us packing and unpacking.

Built in the early 1880s as a textile mill, the Cigar Factory was damaged in the earthquake of 1886 and then repurposed as a factory for making cigars. At its busiest, the factory employed 1,400, many of the workers residing the neighborhood hugs the factory and spills toward Meeting Street (America Street is the principal north-south street in this neighborhood). A labor strike following WWII saw the protest song “We Shall Overcome” used for the first time there. Factory operations ceased in 1974 and a long period of vacancies alternating with failed schemes and partial use ended when an investment group took on rehabilitation of the building for office use, using rehabilitation tax credits as part of their funding mechanism. Long story made short: we will occupy a floor of an historic building that has an interesting back story.

Clemson will lease 24,000 square feet of usable space at the Cigar Factory. Our program, CAC.C (the school of architecture’s Charleston outpost, and a PhD program in Architecture&Health will move in this summer. There is also space for a proposed MS in urban design and for landscape architecture programs.

We’re now at work refining plans for the upfit of this space to meet our needs. MSHP space in the Cigar Factory will include two studios, faculty offices, seminar rooms, storage, AV/IT storage, and new shiny laboratories. Our small library will be melded with CAC.C’s and be housed in a small on-site library (which will be placed in the tower that once housed the factory’s elevator). A 100-seat classroom will give us a venue for lectures and other public programs. Display alcoves that face into our studios are being designed for our architectural fragments collection. We’ll post plans once they are approved.

Look for reports via Facebook as upfit proceeds!

MSHP travels to Cuba

Picture44In mid December a small delegation from the MSHP program and the Warren Lasch Conservation Center visited Cuba to explore possible collaborative projects there. The group spent five days in Havana and two in Trinidad, a World Heritage City founded in 1512 and located on Cuba’s south coast. Meetings with planners, historians, university faculty, administrators of craft training programs and some members of Cuba’s emerging entrepreneurial community punctuated field visits to historic buildings and sites. The group returned with the understanding that Cuba is poised at the brink of significant change, much of it energized by rapidly expanding tourism, that will have significant implications for the conservation of historic sites and building.

Read More:

http://www.postandcourier.com/article/20160324/PC16/160329683/1006/from-clemson-to-cuba-partnership-could-see-study-historic-preservation-of-buildings-culture

http://newsstand.clemson.edu/mediarelations/clemson-scientists-seek-to-partner-with-cubans-to-conserve-preserve-cultural-heritage/

Second Year Student To Present at Dyanmic Cities Conference

DYNAMIC CITY FLYERWe are thrilled to announce that second-year Meredith Wilson will be presenting at the Dynamic Cities Conference at Boston University in April. Her paper analyzes the current downtown revitalization efforts in Meridian, Mississippi as a case study for better understanding the use of preservation theories and practices in the revitalization of small-city downtowns.

ABSTRACT: Can the Center Hold?: Grappling with the decline of a small-city downtown, in Meridian, Mississippi
Meridian, Mississippi, is a poster child for the Post-War Era decline of America’s downtowns. The center city has been in steady decline since the rise of automobile culture and the opening of Meridian’s first suburban mall in the 1970s. The “white flight” endemic to many American cities has exacerbated the problem.
This study analyzes how a historic preservation ethic may better inform the economic development of a downtown with an emphasis on establishing best practices for other small American cities, where Meridian will serve as a case study. In focusing on a small, southern city, this paper fortifies a weak area in the study of preservation best practices related to downtown revitalization, which has focused on larger cities outside the Mid-South region. It examines the preservation policies within Meridian’s 2004 Downtown Redevelopment Plan, 2009 Comprehensive Plan, and other official city planning documents. It gauges the importance placed on preservation in city planning, as well as to what degree preservation policies are actually carried out.
Meridian’s revitalization efforts focus on large development projects devoted to entertainment and tourism: the restoration of the Grand Opera House, the upcoming redevelopment of an abandoned Art Deco office building into a hotel, and the construction of the Mississippi Arts and Entertainment Center (MAEC), slated to open in 2017. While these first two projects are preservation-minded, the MAEC project has resulted in the demolition of the historic Hotel Meridian (1907). Collectively these projects ignore the traditional business and residential functions that truly anchor a historic downtown. This study examines the current success of these projects, and others in similar cities, to encourage sustainable development of the downtown core. Specifically, the study will suggest how historic preservation, incremental development, and diverse services and functions can improve downtown revitalization efforts in Meridian and comparable cities.

Finals Week Begins with memorable HSR Presentation

IMG_9420We have officially kicked off finals week with the Historic Structures Report class presentation this morning. The class has spent the semester researching, studying, and analyzing the Wideman-Hanvey Homestead that dates back to the Revolutionary War. The family of the current owners purchased the property in 1888 and the house and accompanying land have remained in the family ever since. Fourteen members of the Hanvey family traveled to Charleston this morning to attend our students’ presentation and learn more about their family homestead. It was a special morning and great start to the week.

2015 Frances Benjamin Johnson Photography Awards

Honorable Mention Awardees:

Alena Franco- Sense of Place Photograph
Alena Franco- Sense of Place Photograph
Jennifer Leeds - Detail Photograph
Jennifer Leeds – Detail Photograph
Jen Leeds - Sense of Place Photograph
Jen Leeds – Sense of Place Photograph

First Place Awardees:

Rachael Freels - Best Technical Elevation Photograph
Rachael Freels – Best Technical Elevation Photograph
Morgan Granger- Best Sense of Place Photograph
Morgan Granger- Best Sense of Place Photograph
Benjamin Walker – Best Detail Photograph

Advanced Conservation Class to Present at 2016 Historic Mortars Conference

groupatsheldonThe Advanced Conservation Class led by Frances Ford submitted an abstract on their conservation work at Old Sheldon Church in Yemassee, South Carolina. This week the abstract was accepted and the class was invited to present their findings at the 2016 Historic Mortars Conference in Santorini, Greece next October.

Hybrid methodologies for mortar analysis, a digital view from the Carolina Lowcountry
Abstract: Emerging digital documentation technologies facilitate conservation assessments of historic sites and structures. What we term ‘hybrid methodologies’, these approaches merge traditional onsite inspection and conservation analyses with the new digital abilities to analyze and visualize historic structures. To explore these new approaches, Clemson conservators undertook concurrent digital documentation and conditions assessment at Old Sheldon Church Ruins in Yemassee, South Carolina.  The site was laser scanned using a FARO Focus 330 system which accurately and efficiently documented both the ruins’ form and existing conditions.  The system merged raw point cloud data with high resolution color photographs, resulting in a colorized 3D model that is accurate within two millimeters.  At the same time conservators identified and notated mortar campaigns through on-site visual inspection. In all, eight separate mortar campaigns were identified that were then mapped onto the 3D model.  Laboratory analysis of samples identified as the earliest lime mortar campaign found on site was conducted.  The laboratory process included standard acid wash, gravimetric and optical microscopy analysis. This hybrid process combines standard analysis and assessment procedures with cutting-edge digital technologies that pushes the field of historic mortar analysis forward.

Professors Hudgins and Leifeste present paper at SESAH annual meeting in San Antonio

During the spring 2015 semester, MSHP students in the First Year Preservation Studio assessed the condition of the ruins of the Progressive Club on John’s Island  in Charleston County.  Building on the results of this investigation, Professors Hudgins and Leifeste presented a paper entitled Race and Ruin: The Progressive Club and the Challenge of Preserving a Significant Place with a Tenuous Architecture at the annual meeting of the Southeast Chapter of the Society of Architectural Historians on October 15.
 
Now a roofless ruin, the Progressive Club on John’s Island, South Carolina housed a vital community center from 1963 to 1972 that was fundamental to the advancement of the local African American community and important for the Civil Rights Movement nationally.  The “Citizenship School” developed here in response to local needs for literacy training, political empowerment, and employment networking became a model spread throughout the South.  The Progressive Club served basic community needs as a grocery store, childcare center and meeting space, and it and its members provided transportation and lodging opportunities for African Americans traveling during the era of segregated public accommodations.  The founder of the Club, Esau Jenkins, is a notable national figure in the pursuit of civil rights justice.  What Jenkins and his collaborators contributed to the social, cultural, and political transformation of the late twentieth-century South is wildly out of scale with this modest building.  The Progressive Club is, in short, one of those ordinary places where extraordinary people made history in a building now little appreciated for its historical significance and the connection it provides to that history.  How do preservationists and public historians deal with places whose significance resides in intangible contexts and in historic events that left few indelible architectural signatures?  How should preservationists proceed when historically significant places are neither particularly evocative, nor architecturally compelling, nor, in the case of the Progressive Club, especially stable?

The memorialization of ruins in the South Carolina Lowcountry is determined by who cares for them, the sources of the ruin’s significance, the scale, aesthetic qualities and specific conditions of deterioration of the ruin.  Long- tended ruins in the South Carolina Lowcountry include the Bennett Rice Mill Façade, Old Fort Dorchester, Peachtree Plantation, Pon Pon Chapel, and Sheldon Church Ruins.  Each represents a different manner of treatment and interpretation.  Each ruin serves a different role in connecting Lowcountry communities to shared pasts.  These antebellum ruins were raised with materials and by building methods more durable than those used in the construction of the Progressive Club, however.  These architectural differences reflect historical inequities and present contemporary technical challenges.  This aspect of the Progressive Club speaks to larger challenges of preserving late twentieth-century vernacular buildings.

Furthermore, the Progressive Club differs from many other ruins in that the community has declared its intention to preserve and interpret the legacy the ruin embodies.  Should preservation take the form of an emphasis on a living legacy with a reconstruction or replacement building to support the social and programmatic functions under the next generation of the Club or should preservation take the form of stabilization and conservation of the ruins?  The Progressive Club, at this current phase of preservation planning, raises more questions than answers.  In challenging a traditional assumption that architectural value determines preservation treatment, the Preservation Club is a provocative case study of how important historical narratives may live on through remaining architectural fabric whether monumental and mundane.

Meredith Wilson and Team Present 59 Church Street Documentation Package to Historic Charleston Foundation

Meredith presentingSecond-Year student Meredith Wilson, along with her classmate Michelle Thompson and alumna Amy Elizabeth Uebel, presented the results of the documentation of 59 Church Street, the Thomas Rose House, she coordinated during her summer internship at a gathering of Historic Charleston Foundation staff, historic preservationists, and realtors on September 22.

Following her presentation of how the documentation team assemble for the 59 Church street project carried out its work, Wilson presented full sets of documentation photographs, HABS-level drawings of the houses, and a history of the house to Cathy Forrester, owner of the house, Helen Geer, a member of Historic Charleston Foundation’s board of directors and agent-in-charge of William Means Company, and the Margaretta Childs Archive at Historic Charleston Foundation.  Meredith will be entering her drawings of 59 Church in the 2016 Holland Prize Competition.

The Thomas Rose House is one of Charleston’s oldest surviving eighteenth-century dwellings.  Restored in 1929, the house was later purchased by Connecticut architectural historian Henry Philip Staats and his wife Juliette, both active in the formation of Historic Charleston Foundation.  They and their descendants have owned the house for more than 80 years and maintained it with few changed over that period.  The house is thus a remarkable time capsule of of restoration practice and interior furnishings, an important aspect of this documentation effort.