“Stories on My Back,” an installation by Clemson Master of Fine Arts (MFA) alumnus Richard Alexander Lou, ’86 will open the 2016-17 season in the Center for Visual Arts – Lee Gallery on Aug. 22 and run until Oct. 13.  On Friday, Sept. 23 at 5:30 p.m., the artist will give an artist talk about his work with a reception to follow in the gallery.

Lou was born and grew up in San Diego, CA with a biracial family, which was spiritually and intellectually guided by an anti-colonialist Chinese father and a culturally affirming Mexicana mother. After earning his bachelor’s degree in San Diego, CA, Lou continued his education at Clemson University, citing a handwritten note from the Chair of the Department of Art, a tradition that is still practiced today, as the decisive factor that led him to choose Clemson out of almost one hundred potential graduate schools. Lou has exhibited internationally and has over 30 years’ experience teaching in higher education, 20 years as an arts administrator most recently serving as Chair of the Department of Art at University of Memphis in Memphis, TN.

He has been invited back to campus to showcase his traveling multimedia installation that combines photography, found objects and sound walls of tamale husks. The artist writes, “As a contemporary image-maker I am interested in collecting dissonant ideas and narratives, allowing them to bump into each other, to coax new meanings and possibilities that dismantle the hierarchy of images. The work serves as an ideological, social, political and cultural matrix from which I understand my place in this world and to make a simple marking of the cultural shifts of my community.”

“Stories on My Back” art installation was featured in the recently released book, The Routledge Companion to Latina/o Popular Culture by Guisela Latorre, PhD, as a reference to the increasing proliferation of Lantina/o culture in modern American popular culture.

This innovative art collaboration with Richard A. Lou, ’86 is part of the Center for Visual Art’s commitment to support the 2020 ClemsonForward strategic plan to provide educational activities to attract and retain outstanding students by “providing an exceptional educational experience grounded in engagement.” In addition, Richard collaborated with four other artists, three of whom are Clemson University alumni: Chere Labbe Doiron, Jo Carol Mitchell-Rogers ’87, Robert Spencer ’86 and Chris Wallace ’86.

The Center for Visual Arts-Lee Gallery at Clemson University will be open for this exhibit 9 a.m.–4:30 p.m. Mondays-Thursdays. It is located in 1-101 Lee Hall, 323 Fernow St. The exhibition, artist talks and reception are free to the public because of the generous support given to the Center for Visual Arts. For more information about exhibitions in the Lee Gallery, as well as other Center for Visual Arts galleries and venues, visit www.clemson.edu/cva.

CLEMSON — A Clemson alumna’s artworks will be presented by the Clemson University Center for Visual Arts in the lobby of the Brooks Center for the Performing Arts this fall, from Tuesday, Sept. 8, through Dec. 4.

The seeds of Hilary Siber’s love for art and landscape were planted early. As a child in Ohio, Siber remembers drawing trees and solving jigsaw puzzles. Flash-forward several years, and she found herself exercising those same artistic muscles pursuing a degree in architectural design at the Maryland Institute College of Art.

“I was fortunate enough to work in the design field for several years after graduation, but visual problem-solving soon became a puzzle that pulled me toward creating fine art,” she said. “I am forever challenged by the visual mode of communication. It seems to elude language while simultaneously creating a new one.”

She enrolled in Clemson’s Master of Fine Arts program in the art department. There, she “began to understand that creating paintings is two-fold: I am putting a puzzle together while presenting one to my viewers.”

Those artistic puzzles will be on display with her new exhibition, “Shifting Ground.”

Shifting Ground opens on the heels of Siber’s thesis exhibition, which, she said, “reflected on the grief and emotion of the death of my father.”

In contrast, this oil-on-canvas collection focuses on “universal landscapes that suggest unknown outcomes, unstable grounds and shifting panoramas.” Her landscapes are not literal, but rather subjective interpretations that she believes “model accurate representations of the rational and irrational landscapes of our emotions, experiences and intellect.”

Siber’s work has been exhibited both regionally and internationally: at the Piccolo Spoleto Festival in Charleston; the Nelson Gallery in in Lexington, Virginia; and the Art Museum of Nanjing University in China, along with several other places in South Carolina and North Carolina.

Susan Kaplar, business manager at the Brooks Center and current Bachelor of Fine Arts student has admired Siber’s work for awhile.

She and Denise Woodward-Detrich, director of the Lee Gallery at Clemson, approached Siber several months ago with the idea of a solo exhibition in the Brooks Center lobby.

“We’ve seen her style and we thought anything she does will be a good fit for our audience,” Kaplar said. The exhibition includes works created since January, including two pieces originally from her master’s thesis exhibition and now on loan from private collections.

When patrons attend the exhibition, Kaplar hopes it will be a time for deep self-reflection.

“I hope it will encourage people to look within themselves, to engage in inner contemplation.”

Siber’s wish is that people see an opportunity to consider both the here-and-now and the everlasting.

“I hope that viewing these paintings conjures up a consideration for the temporal,” she said. “Perhaps by contemplating our finitude and flux, we are more apt to consider what is infinite and never-changing.”

Shifting Ground is open from 1 to 5 p.m. on weekdays and before all Brooks Center performances. An artist talk will be held before the 7:30 p.m. performance of the National Dance Company of Siberia at 6 p.m. Oct. 29, followed by a reception at 6:30 p.m.