Clemson Visual Arts

From graphic design to children’s books: Hannah Mathis’ artistic leap

Meredith Mims McTigue

Answering an invitation to illustrate a children’s book pushed Hannah Mathis ’22, a B.A. Art alumna, out of her comfort zone. Her venture into creating original artwork for a storybook began when an email about an opportunity to work with local author Susan Coryell was sent to all Clemson art students.

Art Chair Valerie Zimany sent the proposal out and shared her thoughts on the request.

“We frequently receive external inquiries about working with our students on projects. They can be highly valuable as a learning opportunity to develop professional expectations and relationships in freelance, client-based work – for both our students and the community. Susan Coryell’s inquiry caught my attention as she included a detailed proposal and wrote ‘I taught secondary school English for thirty years and know the depth of student talents and that they can be enthusiastic about participating in creative projects.’ Susan was sincere in her thinking about the book as a collaboration, and how involvement could be beneficial to an interested student.”

Although her primary focus is on graphic design and coding, the chance to illustrate “Kiki’s Dream” intrigued Mathis. After meeting Coryell and learning about the heartfelt story behind the book, Mathis felt inspired to bring it to life through her illustrations.

Mathis recalls spending her childhood free time sculpting and drawing, always finding beauty in nature and the art around her. This early interest blossomed into a deeper love for graphic design and illustration during her college years at Clemson University. She aimed to merge her aesthetic sensibilities with functional design.

Reflecting on her experience at Clemson, Mathis said, “As I got to college, my passion extended to graphics and illustration, and I wanted to be able to create art that was both creative and practical.”

This interview with Hannah Mathis has been edited for length and clarity.

Art illustration by BFA Alumna Hannah Mathis featured in “Kiki’s Dream”

ClemsonNews: How did you become involved in illustrating this children’s book?

Mathis: For “Kiki’s Dream,” I received an email sent to all Clemson art students about an opportunity to illustrate for local author Susan Coryell. I hadn’t considered children’s illustration beforehand as my passion lies in graphic design and coding. However, I needed to take advantage of an opportunity to extend my skills and work with someone who shared a passion for creating. After responding and meeting with Susan, the story behind her book inspired me, and I wanted to help her make it a reality.

CN: Where do you draw inspiration for design catered towards children?

Mathis: Catering to children was a fun way to unlock my inner childhood memories and feelings. To illustrate this book, I looked back at previous children’s books I enjoyed as a kid, as well as toys and shows, and took inspiration from the bright colors, sketch-like style, and an overall sense of fun. I also added small details that kids could focus on to have plenty to observe and learn about.

CN: How do you hope your illustrations impact the children who read the book?

Mathis: I hope my illustrations inspire kids to follow their dreams and look forward to things in life they haven’t experienced before. They encourage creativity and exploration and even create artwork and drawings.

CN: Tell us about your current artwork.

Mathis: I’m open to more illustration projects in the future, whether they be children’s books, book covers, or even more in the scientific illustration realm. I focus on branding and app design, but any artistic style can inspire other works. As my connections and relationships grow with different people and artists, my skills will prosper alongside them.

According to Zimany, “All was quiet after the initial message I sent out to our majors. I was surprised and delighted to hear two years later that Susan’s book was published, and, according to Susan, many of the positive reviews mentioned Hannah’s colorful illustrations. Congratulations to both Susan and Hannah – a serendipitous connection led to a unique and successful professional opportunity.”

“Kiki’s Dream” is available in Clemson and the surrounding area at several locations: the Bee’s Kneesthe Little Curiosities Shoppethe Pendleton Book ShopClemson Variety and Frame, and First Chapter Bookstore. It is also available through all online bookstores. The publisher, formerly known as Two Sisters Press and now Golden Bridges Press, donates a portion of their proceeds to Maui wildfire relief.

Clemson’s Art program adds graphic design studio

Assistant Professor of Graphic Design Drew Sisk and B.A. in Art student Danett Vargas work on graphic design projects in Lee III

Clemson University’s Department of Art is expanding with the addition of the graphic design studio in response to the growing demand for interdisciplinary skills in digital media. Beginning in Fall 2024, students in the BFA Visual Art program can choose graphic design as their studio area. 

Drew Sisk, Assistant Professor of Graphic Design, will lead the studio. 

Sisk is a versatile designer and artist. With an MFA from Virginia Commonwealth University, Sisk’s career spans academia and professional practice, including roles at Duke University Press and EM2 in Atlanta. His client portfolio, focused on nonprofits and cultural institutions, boasts collaborations with organizations like Georgia Aquarium and UNC-Chapel Hill. Recognized by the American Institute of Graphic Arts (AIGA) and others, his work blurs art and design boundaries, exploring media, politics and technology. Sisk’s self-published works are housed in prestigious collections of artists’ books at Yale University and the School of the Art Institute of Chicago (SAIC), among others. As co-founder of Utilities Included, a small exhibition space and publishing initiative in Chapel Hill, NC, he champions creativity beyond academia.

He noted that the graphic design curriculum will prepare students for professional practice in creative industries, including visual identity design and branding, user interface and user experience design and advertising, along with work in the broader fields of art, media and design. 

Assistant Professor of Art, Graphic Design, Drew Sisk
Assistant Professor of Art, Drew Sisk leads the new Graphic Design area of study in the Department of Art

“Students learn industry-standard tools for creative work while remaining nimble to constantly changing technology,” Sisk said. “An expanded, inclusive understanding of design history and contemporary practice helps students situate their work within an informed and global context.”

Establishing the graphic design studio marks a significant milestone for the department, aligning with recommendations outlined in the 2015 National Association of Schools of Art and Design (NASAD) Visitors Report, which serves as the accrediting body for all colleges and universities. Drawing on the interconnected nature of graphic design, this emphasis integrates emerging technologies and innovative artistic strategies with traditional forms, materials and methods. 

The roots of graphic design at Clemson run deep, with the legacy dating back to the appointment of the first Art Department Chair in the 1960s, a graphic designer. Building upon this strong foundation, Sisk has spearheaded the development of the curriculum for the graphic design area, paving the way for a new generation of creative thinkers and visual communicators. His commitment to graphic design was featured on campus by collaborating with the Clemson University libraries to create the inaugural “Clemson Art Book Fair and Zine Fest” to showcase student work. This event, which took place this past Spring semester, included a mix of zines, artists’ books, posters, and other printed matter.

Art Department Chair and Professor Valerie Zimany, championed bringing the graphic design studio to fruition under the direction of interim dean of Clemson’s College of Architecture, Art and Construction George Petersen. 

“The BFA Visual Art Graphic Design curriculum fosters effective visual communication within a dynamic global context,” Zimany said. “Emphasizing concept development, human-centered design, and visual techniques prepares students for impactful work. Aligned with ClemsonElevate, it prioritizes top student experiences and equips them to navigate evolving professional landscapes.”

For more information about the graphic design studio area, contact Art Department Chair and Professor Valerie Zimany at vzimany@clemson.edu or Assistant Professor of Art, Graphic Design, Drew Sisk casisk@clemson.edu

Clemson University to feature prominently in Artisphere’s 20th anniversary

The 20th anniversary of Artisphere, the Upstate’s premier celebration of art and artists, will once again be tinted orange as artists, professors, staff members, alums and volunteers from Clemson University play a big part in the popular public event Friday-Sunday, May 10-12. The festival, founded in 2003 to “enhance the quality of life and economic vitality in South Carolina,” has become one of the nation’s most sought-out fine arts festivals, attracting more than 70,000 people to downtown Greenville annually.

The overall theme of Clemson’s interactive exhibit this year is “It’s a Clemson World.” It will feature activities like an interactive touch-screen storyboard, podcasting booth and “selfie” station where visitors can snap a photo that makes them look like they’re on the cover of Clemson World magazine.

“Clemson has had a long-running presence at Artisphere, and we see a lot of value in continuing to bring our best and most creative people and programs to Greenville and this world-class festival,” said David Dryden, associate vice president for brand experience. “This year, we are using Clemson’s flagship magazine, Clemson World, as a way to allow Artisphere visitors to engage and interact with a lot of very cool and innovative things happening at the University.”

Clemson executive creative director Jesse Godfrey said anchoring activities to the University’s award-winning alumni magazine will energize the Clemson experience at Artisphere this year.

“There are so many incredible stories of artistry and innovation at Clemson University, and we’re excited to bring a few of them to Main Street Greenville for Artisphere ’24,” said Godfrey. “By incorporating our flagship storytelling platform, Clemson World magazine, we hope to bring some of these stories to life and engage with festivalgoers from Greenville and beyond to give them a glimpse of what makes Clemson such a special place!”

Clemson will be well-represented outside its exhibit as well. David Gerhard, another MFA alumnus and art faculty member, has been selected as the juror for the “Artists of the Upstate Juried Exhibition.” Several artists affiliated with Clemson have been chosen for this showcase, including:

  • MFA student in Ceramics, Ethan McKeller ‘25
  • MFA alumna Jessica Swank ‘21
  • MFA alumna Jo Carol Mitchell Rogers ‘87
  • MFA alumnus and art faculty, Jonathan Bolton ‘23

MFA alumna Glory Day Loflin ’23, whose painting “Grid-Lock: Victory Vase & ‘X’ Marks the Spot” was chosen to be the Artisphere 2022 commemorative poster, has once again been selected from thousands of entries to be a part of Artists Row.

Also on Artists Row, this year’s Artisphere organizers have awarded MFA alumnus David Tillinghast ‘94 the title of Emerging Artist. He is well known at the University as the artist behind the public art piece P211.t45, which is made up of two components, one of which enjoys being one of Clemson students’ top 10 traditions, finding and signing “The Secret Book.”

As always, every festivalgoer will walk through the shadow of the permanent public artwork “Ten Artispheres” created by Clemson’s former Art Department chair, John Acorn, which towers over Main Street at the entrance to Falls Park. Acorn created the huge sculpture of ten thick aluminum intersecting spheres to commemorate Artisphere’s 10th anniversary in 2014.

Festival goers walk past John Acorn’s “Ten Artispheres” permanent installation (left).

Spring exhibitions showcase visual arts students’ creative works

Patrons looking at art inside the Lee Gallery

The Clemson Visual Arts (CVA) at Clemson University is gearing up to honor artistic excellence through a series of student showcases this spring. The exhibitions invite the public to witness the remarkable work of emerging art undergraduates, culminating in the highly anticipated Spring Studio Ceramic Sale. Among the highlights is the unveiling of ten Bachelor of Fine Arts (BFA) senior works, representing extensive research efforts.

The BFA senior exhibits represent the completion of year-long research endeavors. Visual Arts students undergo a series of critiques aimed at nurturing the development of a body of work of their choosing. The public is invited to participate in this dialogue by attending the artist talks, followed by receptions with the artists. Join the CVA this spring to see the next generation of artists.

Art Sale

Spring Ceramic Studio Sale

Date & Time: Wednesday, Apr. 24, 10 a.m.-5 p.m.

Location: Lee Gallery Hallway

Art enthusiasts can purchase ceramics from Clemson Ceramics Association student members, with a vast selection of functional works at various prices. Proceeds will support student scholarships and travel to the National Council on Education for the Ceramics Arts Conference. 

Faculty Artist Talk

David Donar’s Sabbatical Talk

Date & Time: Wednesday, Apr. 3, 5:30-6:30 p.m.

Location: 1-100 Lee Hall

Award-winning short filmmaker and Professor of Art in Animation at Clemson University, David Donar delves into the vibrant world of Acadian/Cajun/Creole culture in Louisiana, unveiling its music scene and folklore. From classic Cajun tunes to the infectious rhythms of Creole music, he guides audiences through the intricate history and soulful melodies that define this dynamic region. Donar showcases his research in animation and music, transporting viewers to worlds filled with narrative depth and cultural resonance. 

Exhibitions

The BFA Senior Art Exhibit #1 – Configurations of Sentiment

Date & Time: Apr. 3-11, M–F, 9 a.m.–4:30 p.m.

Artist Talks & Reception Friday, April 5, 5-7 p.m.

BFA Senior Artist Talks & Reception Exhibit #2 – Evocation

Date & Time: Apr. 17-25, M–F, 9 a.m.–4:30 p.m.

Artist Talks & Reception Friday, April 19, 5-7 p.m.

Location: Lee Gallery

The Lee Gallery exhibits artwork of graduating students enrolled in the Department of Art academic program at the end of each semester. Students are required to present their final creative research in a professional exhibition and deliver an oral presentation about their work. All events are free and open to the public.

Ink Travels: MFA Alumni Selections Art Exhibition

Date & Time: On display-Apr. 12, M–Su, library hours

Location: Cooper Library, Fourth Floor

This print exchange between Clemson alumni honors Sydney A. Cross and celebrates the wide-reaching influence of Syd as a teacher and mentor. The exhibition features selected works from MFA alumni.

Alumni Works Art Exhibition

Date & Time: On display-Apr. 18, M–F, 9 a.m.–4:30 p.m.

Location: CAH Dean’s Gallery in Strode Tower

“Alumni Works” showcases MFA and BFA works created by artists during their enrollment at Clemson University, featuring photography, drawing, printmaking, and painting.

Harvey Gantt Curriculum Vitae Art Exhibition

Date & Time: On display – Nov. 17, M–F, 8 a.m.–4:30 p.m.

Location: Sikes Hall Showcase, Ground Floor

This exhibition, based on research conducted through an independent study, showcases Harvey Gantt’s curriculum vitae. It includes photographs taken by Cecile Williams and a graphic created by Gregg Ussery.

END

Clemson Visual Arts at Clemson University

Clemson University, honoring Thomas Green Clemson’s vision, incorporates art throughout its facilities. Visitors are encouraged to engage with Clemson Visual Arts by exploring gallery spaces and public art and attending special events. Exhibitions and events are made possible through generous support to the Center for Visual Arts.

For more information and the full event calendar, visit clemson.edu/art.

Exhibitions, artist talks, and receptions are free to the public, thanks to the generous support given to the Center for Visual Arts. 

To support Clemson Visual Arts, visit clemson.edu/caac/academics/art/about-us/giving.html.

Clemson ceramic studio presents Spring Ceramic Sale inspired by NCECA Conference travel

Ceramic enthusiasts shops at the annual Spring Ceramic Studio Sale

Students and the public are invited to join ceramics enthusiasts for the annual Spring Ceramic Studio Sale on Wednesday, April 24 from 10 a.m. to 5 p.m. in the Lee Gallery Hallway. The sale, hosted by the Clemson Ceramics Association student organization within the Department of Art at Clemson University, offers a wide selection of functional ceramic work by talented students and faculty at various price points. 

All proceeds from the sale will go towards supporting student scholarships and annual travel to the National Council on Education for the Ceramics Arts (NCECA) Conference.

While many college students headed to the beach for spring break, a group of ten art students and two faculty members from the Clemson University ceramics studio embarked on a different journey. They attended the National Council on Education for the Ceramic Arts (NCECA) conference for research and to gain networking opportunities. The conference is international in scope and draws over six thousand participants annually, allowing participants to explore the newest trends, techniques, and conversations within ceramic arts.

The 58th Annual NCECA Conference, themed “Coalescence,” took place in Richmond, Virginia, offering a vibrant setting conducive to learning, collaboration, and inspiration. Clemson’s ceramics studio has participated at the NCECA conference for over four decades, underscoring the University’s ongoing commitment to fostering excellence in ceramic education and scholarship.

President of the Clemson Ceramics Association (CCA) Hailey Blackwelder, shared her thoughts on the conference.

“I was captivated by the dynamic energy and sense of community at NCECA,” Blackwelder expressed. “Connecting with fellow ceramic enthusiasts from around the globe provided invaluable insights and fresh perspectives for my ceramic practice. The workshops and presentations offered profound insights I’m eager to incorporate into my work. The experience was incredibly enriching as a student, reinforcing my passion for ceramics.”

Students and faculty host a Clemson table each year to provide information on ceramics undergraduate and the MFA Visual Arts program.

Art students, art faculty, and art alumni attending the National Council on Education for the Ceramic Arts (NCECA) conference

Following the NCECA conference, Clemson University ceramic students returned with renewed inspiration and valuable connections to enhance their artistic endeavors. Their experiences have translated into fresh works to be found in the Spring Ceramic Studio Sale, taking place on Wednesday, April 24, from 10 a.m. to 5 p.m. in the Lee Gallery Hallway. The Spring Sale features a wide variety of wearable and functional ceramic creations by students and faculty, featuring pieces at diverse price ranges. The sale continues a long-standing tradition of support from the Clemson and surrounding community to acquire unique pieces while championing student research, scholarships and NCECA Conference travel. 

While perusing the sale on Wednesday, visitors are also encouraged to view the 2024 Spring BFA Senior Exhibition in the Lee Gallery, with works by graduation candidates Susan Sorohan, Layne Cromer, Lizetta Halter-Macinnes, Audrey Hunt, and Molly Rembold.

For further details about this week’s Spring Ceramics Sale or the Fall Ceramic Bowl Sale scheduled for November 13, 2024, contact Art Department Chair and Professor Valerie Zimany at vzimany@clemson.edu or Lecturer of Art in Ceramics John Cummings at jhcummi@clemson.edu.

Professor David Donar fuses art, animation, music and Cajun culture in upcoming sabbatical talk

Students and the public are invited to attend David Donar’s Sabbatical Talk showcasing a cultural fusion depicted through animation and music.  The event, hosted by the Department of Art will be held on April 3 from 5:30-6:30 p.m. at Lee Hall, Room 1-100.

David Donar, an esteemed filmmaker renowned for his award-winning short stories, wears many hats. Not only is he a Professor of Art in Animation at Clemson University, but he also possesses a deep passion for music, playing instruments such as the accordion, banjo, and guitar. This combination of art, music, and academic philosophy defines his creative endeavors, leading to globally recognized content transcending boundaries.

Last year, Donar embarked on a sabbatical research leave program offered through the University, allowing him to further his professional growth and delve into significant scholarly projects. His research focused on the vibrant Cajun and Creole culture in Louisiana.

Immersing himself in the heart of Louisiana, Donar found inspiration in the myriad styles and sounds that define the region. From classic Cajun tunes to the infectious rhythms of Creole Dance music, every note and melody spoke of a rich cultural heritage.

“The music and culture of Southern Louisiana defy any labels or oversimplification,” Donar noted. “I aim to create a template for further exploration, providing a basic understanding. Visiting this dynamic and vibrant region is a must in one’s lifetime.”

To understand the essence of Louisiana’s music is to delve into its complex history. Cajun music traces its roots to the Acadians, French immigrants who settled in the region in the 1600s. Over time, influences from Caribbean, Latin, and American folk music molded this genre into its unique form. Creole dance music, originating from Africa, infused the musical landscape with intricate layers of rhythm and soul. 

“New Orleans deserves special mention,” Donar emphasizes. “As a port city, it has absorbed influences from around the world, birthing genres like Jazz and maintaining its status as an international arts hub.”

Donar’s exploration of culture extends beyond his research in Louisiana. His recent short film animations have captivated audiences worldwide, with screenings at prestigious festivals such as the Toronto Short Film Festival and the MiCe Film Festival in Spain. His film “Church Street, We Were There” earned him the Best Animation award at Miami’s Cuban American International Film Festival.

This film, part of a larger project funded by the National Endowment of the Arts (NEA) and other organizations, embodies Donar’s commitment to public art and cultural preservation. It’s a testament to his belief that art, in all its forms, serves as a bridge between communities and a celebration of our shared humanity.

David Donar’s animations become vehicles for narrative, cultural immersion, and unity. His creations resonate far beyond conventional confines, seamlessly blending art and heritage, enriching the global cultural landscape. Through his work, Donar gives voice to diverse artistic expressions, forging connections through the world of animation.

Lifelong Learner: MFA Alumna Fleming Markel pioneers a path toward inclusivity

Headshot of MFA Alumna Fleming Markel '98

After spending two decades raising her family and serving her community, Fleming Markel ’98 embarked on a new chapter by pursuing her passion for visual art. Accepted into Clemson University’s graduate visual art program, Markel defied expectations by earning her Master of Fine Arts degree just before age 50.

“At Clemson, I was presented with challenges and constructive criticism but also with encouragement,” she recalled. “Under the mentorship of an amazing faculty, I completed my MFA just before my fiftieth birthday. I was given my chance.”

Today, as the Director of Galleries at Greenville Technical College (GTC) in Greenville, S.C, Markel pays forward the support she received by guiding aspiring artists, particularly non-traditional visual art undergraduates hungry for opportunity. Even with shifts in the art faculty since her graduation 26 years ago, Markel affirms the program’s continued supportive atmosphere.

“Even though the Clemson art faculty has completely changed, the warmth and encouragement continue,” she affirmed. “I can recommend the Clemson Art Department to GTC transfer students, confident that they too will get their chance.”

Markel’s recent work includes a traveling solo exhibition, “Pent-up Pink,” which challenges entrenched notions of gender identity and cultural stereotypes. Through her art, she interrogates the pervasive influence of consumerism, language, and gender norms on our daily lives. 

Drawing inspiration from everyday life in the South, Markel explores the “defining prescriptions” ingrained in girls and women from birth. 

MFA Alumna Fleming Markel conversing with art patrons Arlene Cheatam and
MFA Alumna Fleming Markel conversing near her sculpture entitled “Tuesday Afternoon” with art patrons Harold and Arlene Cheatam at the “As Good As Gold: 50 Years of the MFA at Clemson” exhibition reception located in the Lee Gallery

“I think that many of our culture’s prescriptive myths are perpetuated by marketing, advertising and packaging,” she explained.

Fleming Markel’s thought-provoking artwork serves as a beacon for societal evolution, confronting deeply rooted norms and urging critical introspection. By recontextualizing objects traditionally associated with femininity, Markel challenges stereotypes and invites a dialogue about the narratives they perpetuate. Her impact underscores the truth that the quest for knowledge is a lifelong endeavor.

Markel’s sculpture work is part of the “As Good As Gold: 50 Years of the MFA at Clemson” Part III exhibition and can be viewed in the Lee Gallery until Mar. 8.

About the Clemson MFA Program 

Clemson University’s Master of Fine Arts program celebrates a half-century of art and learning with a three-part exhibition featuring a wide variety of art from its graduates and receptions featuring reflections from notable alumni and supporters of the MFA program. As part of this 50-year-long celebration, Clemson Visual Arts is featuring MFA Alumni this semester leading into the summer months. 

The MFA is considered the terminal degree in the visual arts. Clemson’s program offers studio concentrations in drawing, painting, printmaking, ceramics, photography and sculpture. Interdisciplinary and collaborative projects are encouraged within the department. The program’s primary goal is to provide students with opportunities to develop a high degree of professional competence in their chosen area of concentration.

Sculpting narratives: A conversation with MFA alumnus and internationally recognized artist Winston Wingo

Winston Wingo's Portrait with metal sculptures in background

Winston Wingo, ’80, an alumnus of Clemson University’s MFA program, has created sculptures that span borders, resonating with audiences across the United States, Canada, France, and Italy with over 40 solo exhibitions and participation in over 200 group competitions and invitational exhibitions.

He traces the roots of his connection with art back to his childhood. 

“My interest and passion for art began as a small child,” Wingo reflected, acknowledging the formative impact of his elementary school years. “The support and encouragement from my teachers planted the seeds of creativity within me.”

However, it was during his junior high school days that Wingo’s fascination with sculpture took root and grew with the guidance of his mentor, Brooks Huggins. 

“Mr. Huggins introduced me to sculpture,” Wingo recalled with fondness. “His bronze sculptures, proudly displayed in our classroom, ignited a fire within me, a passion for sculpting that continues to burn brightly to this day.”

The decision to pursue his MFA at Clemson University was influenced by a pivotal encounter during his junior high years. 

“In 1970, I visited the School of Architecture at Clemson University to meet sculptor and art department chair John Acorn,” Wingo recounts. “His reputation preceded him, and I was captivated by his work showcased in various publications.” 

The vibrant artistic community at Clemson, coupled with the mentorship of John Acorn, solidified Wingo’s decision to embark on a journey of advanced graduate studies in studio fine arts.

Looking back on his accomplishments after graduation, Wingo’s artistic impact has reached across continents.

“Following my time at Clemson, I pursued postgraduate studies at Instituto Statute d’Arte, Italy,” Wingo said. “Subsequent travels and explorations led me to bronze foundries in Tuscany, Italy, where I honed my craft.” 

Winston Wingo's Sculpture in the Lee Gallery
MFA Alumnus Winston Wingo’s ’90 sculpture in the Lee Gallery until Mar. 8

Wingo’s commitment to fostering creativity as an artist and educator remains unwavering. 

“I’ve had the privilege of teaching art at undergraduate and graduate levels in South Carolina,” Wingo said. “My studio serves as a sanctuary for artistic exploration, where I continue to create and innovate.”

In his Spartanburg studio, Wingo delves into the complexities of contemporary African American social and cultural narratives. 

“My ongoing work reflects the intersections between science, technology, art, and humanity,” Wingo explains. “It’s a commentary on the dynamic forces shaping our world and a testament to the power of art to provoke thought and evoke emotion.”

Winston Wingo’s artistic path, from humble beginnings through Clemson’s MFA Program to international acclaim, continues to demonstrate how his artistry transcends boundaries.

Wingo’s sculpture work is part of the “As Good As Gold: 50 Years of the MFA at Clemson” Part III exhibition and can be viewed in the Lee Gallery until Mar. 8.

About the Clemson MFA Program 

Clemson University’s Master of Fine Arts program celebrates a half-century of art and learning with a three-part exhibition featuring a wide variety of art from its graduates and receptions featuring reflections from notable alumni and supporters of the MFA program. As part of this 50-year-long celebration, Clemson Visual Arts is featuring MFA Alumni this semester leading into the summer months. 

The MFA is considered the terminal degree in the visual arts. Clemson’s program offers studio concentrations in drawing, painting, printmaking, ceramics, photography and sculpture. Interdisciplinary and collaborative projects are encouraged within the department. The program’s primary goal is to provide students with opportunities to develop a high degree of professional competence in their chosen area of concentration.

From Alaska to Harvard: The artistic path of MFA alumnus Deighton Abrams

Black and white headshot of Deighton Abrams

Deighton Abrams’ ’16 artistic journey has taken him coast-to-coast, from his upbringing in Alaska to his recent endeavors as an instructor within the renowned ceramics program at Harvard University.

“I come from a very creative family,” he reminisced, “so making and enjoying art in its many forms has been a constant throughout my life.” 

His mother’s gift for crafting and his father’s literary pursuits provided fuel for Abrams’ artistic inclinations. 

“Initially studying to become an illustrator, I found my love of ceramics late in my undergraduate degree, and it completely changed my artistic trajectory,” he recounted.

His decision to pursue a Master of Fine Arts (MFA) degree led him to Clemson University, a choice shaped by both academic aspirations and personal connections. 

“Following my partner, who was accepted into Clemson’s astrophysics Ph.D. program, I visited the Art Department knowing little about the program, but eager to be challenged,” he explained.

Under the tutelage of mentors like Department Chair and Professor in Ceramics Valerie Zimany, Abrams honed his practice and expanded his artistic horizons. 

“The dedication and mentoring of my advisor broadened my view of the art world and sharpened my research skills,” he reflected.

Post-graduation, Abrams began navigating residencies, teaching engagements, and immersive studio explorations. His tenure at STARworks in Star, N.C., further enriched his studio practice.

“I was lucky to jump into a ceramics residency at STARworks, which furthered the expansion of my studio skills and gave me an even wider view of the state of clay in the art world,” he noted.

Black and white colored ceramic artwork displayed in the Lee Gallery.
Ceramic artwork by Deighton Abrams displayed in the Lee Gallery until Mar. 8.

He has shown work nationally and internationally, including at the International Ceramic Symposium and Art Education Exchange Program, at a member Exhibition in Yixing, China and at ArtFields in Lake City, S.C., where he won a Merit Award for sculpture. With stints at institutions like Winthrop University in Rock Hill, S.C. and Greenville Technical College in Greenville, teaching became a cornerstone of Abrams’ artistic path. His return to Clemson University, albeit briefly, to lead the General Education Art Appreciation course remains a cherished highlight. 

Abrams currently lives in Boston, continuing to teach ceramics at community centers and universities, including Massachusetts College of Art and Design and Lesley University.

Recently, he completed a two-year residency at the ceramics program at Harvard University. His extensive teaching resume underscores his commitment to nurturing the next generation of artistic talent.

Within his studio at Harvard’s ceramics program, Abrams embarks on a new artistic path by creating sculptural narratives. 

“I am exploring a new body of sculptural work,” he said, “combining representational ceramic forms, abstracted landscapes, illustrated porcelain pottery and raw building materials.” 

His latest series of porcelain urns reflects his commitment to environmental issues, blending beauty with meaning.

Abrams’ ceramic work is part of the “As Good As Gold: 50 Years of the MFA at Clemson” Part III exhibition and can be viewed in the Lee Gallery until Mar. 8.

About the Clemson MFA Program 

Clemson University’s Master of Fine Arts program celebrates a half-century of art and learning with a three-part exhibition featuring a wide variety of art from its graduates and receptions featuring reflections from notable alumni and supporters of the MFA program. As part of this 50-year-long celebration, Clemson Visual Arts is featuring MFA Alumni this semester leading into the summer months. 

The MFA is considered the terminal degree in the visual arts. Clemson’s program offers studio concentrations in drawing, painting, printmaking, ceramics, photography and sculpture. Interdisciplinary and collaborative projects are encouraged within the department. The program’s primary goal is to provide students with opportunities to develop a high degree of professional competence in their chosen area of concentration.

Fired in Love: One couple’s journey from Clemson’s pottery kilns to entrepreneurship

MFA Alumni Kat Hutter and Roger Lee

The lives of Clemson University MFA alumni Kat Hutter ’06 and Roger Lee ’07 have created a mosaic of personal and professional growth.

Hutter, with roots in the Midwest, and Lee, a Californian at heart, found themselves on a transformative journey through the Clemson MFA program. Their shared thirst for new environments and diverse perspectives brought them together as students, laying the foundation for a partnership that extends beyond canvas borders. As artists and proud owners of K+R Paint and Clay, Inc., they seamlessly navigate between the vibrant energy of Los Angeles, C.A., and the tranquil landscapes of Fond du Lac, W.I.

Choosing Clemson

Hutter and Lee echo a sentiment of gratitude when asked about their choice of Clemson for their MFA degree. 

“The MFA graduate program at Clemson University granted each of us a fellowship and the opportunity to teach college-level courses,” Lee said. 

Hutter added, “We met at Clemson, so it will always hold a special place in our hearts.”

Reflecting on their journey, the duo credits the Clemson Art faculty for shaping their careers. 

“The Clemson Art faculty are all professional artists still practicing in their fields,” Hutter noted. 

“They are an inspiration to any artist pursuing a professional career,” Lee added. “They provided a rigorous and nurturing learning experience that prepared us to go out and continue the work.”

MFA Alumni Kat Hutter and Roger Lee with their ceramic work
MFA Alumni Kat Hutter and Roger Lee with their ceramic work

Sustaining artistic integrity

The duo’s venture into entrepreneurship with K+R Paint and Clay, Inc. has been transformative. 

“Creating a business has strengthened our drive to continue this work,” Hutter reflects. 

Lee emphasizes, “Being an artist is our profession. The business is how we keep our practice going. It’s an investment in ourselves and the integrity of our work.”

Advice for emerging artists

For aspiring artists, Hutter and Lee offer insightful advice. “Art is an expression of the individual, the artist,” Hutter said. 

Lee encouraged artists to be patient. “It’s a career that invests in yourself, so take the time to make your own experiences and pave a path for opportunities that will shape your career,” he said. “Work hard and try to think of it more as a marathon than a sprint.”

As Hutter and Lee continue to mold the clay of their lives, their artistic partnership is fueled by passion, perseverance and a continuous journey of harmonious experiences.

MFA Alumni Kat Hutter and Roger Lee met at Clemson University
Ceramics by MFA Alumni Kat Hutter and Roger Lee
Ceramics by MFA Alumni Kat Hutter and Roger Lee

Hutter and Roger’s ceramic work is part of the “As Good As Gold: 50 Years of the MFA at Clemson” Part III exhibition and can be viewed in the Lee Gallery until Mar. 8.

About the Clemson MFA Program 

Clemson University’s Master of Fine Arts program celebrates a half-century of art and learning with a three-part exhibition featuring a wide variety of art from its graduates and receptions featuring reflections from notable alumni and supporters of the MFA program. As part of this 50-year-long celebration, Clemson Visual Arts is featuring MFA Alumni this semester leading into the summer months. 

The MFA is considered the terminal degree in the visual arts. Clemson’s program offers studio concentrations in drawing, painting, printmaking, ceramics, photography and sculpture. Interdisciplinary and collaborative projects are encouraged within the department. The program’s primary goal is to provide students with opportunities to develop a high degree of professional competence in their chosen area of concentration.

Unveiling passion: MFA alumnus’ journey from construction to canvas

Clemson Master of Fine Arts (MFA) alumnus Jerry Gorman’s ’83 journey from road construction in Lordsburg, N.M., to accomplished fine arts painter is a story of passion, determination and uncertainty.

Before going to college, Gorman took a job working in road construction. But while watching the sun’s vibrant hues during evenings with the bridge crew, he made a life-altering decision to pursue art formally. In August 1972, Gorman’ enrolled at New Mexico State University, graduating with a Bachelor of Fine Arts degree in 1976.

Prompted by a move by his girlfriend after college, Gorman enrolled at Clemson University to earn his Master of Fine Arts (MFA) degree. Here, he connected with John Acorn, former head of the Art Department. The prospect of studying in Genoa, Italy, further fueled Gorman’s decision to join Clemson’s MFA program.

Painting of Genoa, Italy by MFA Alumnus, Jerry Gorman '83
Painting of Genoa, Italy by MFA Alumnus, Jerry Gorman ’83

Career at Sandia National Labs
Post-graduation, Gorman began a career at Sandia National Labs in Albuquerque.

“In 1983, Sandia National Labs was one of three nuclear weapons think tanks in the United States,” Gorman said. “My clients consisted of American Presidents, Congress, international foreign governments, engineers, scientists, physicists, and local and state government officials.”

Over 25 years, he held roles ranging from Technical Color Illustrator to Art Director/Project Manager, leaving an indelible mark. Simultaneously, Gorman explored the world of fine arts, exhibiting in galleries and achieving success as a Principal Member of the laboratory staff.

Painting Studio for MFA Alumnus, Jerry Gorman '83
The painting studio of MFA Alumnus, Jerry Gorman ’83

Retirement and Beyond
Retirement opened a new chapter for Gorman, now immersed in his studio for an upcoming exhibition at Goldenstein Art in Sedona, Arizona. Inspired by the Oak Creek Canyon National Park’s beauty, his paintings come alive. Three sketchbooks offer a glimpse into his creative mind, with roots in Genoa and playful animations in a digital sketchbook.

As Gorman captivates audiences with vibrant artwork, his journey from construction to artistic prominence is a testament to the transformative power of art.

About the Clemson MFA Program
Clemson University’s Master of Fine Arts program is celebrating a half-century of art and learning with a three-part exhibition featuring a wide variety of art from its graduates and receptions featuring reflections from notable alumni and supporters of the MFA program. As part of this 50-year-long celebration, Clemson Visual Arts is featuring MFA Alumni this semester leading into the summer months.

The MFA is considered the terminal degree in the visual arts. Clemson’s program offers studio concentrations in drawing, painting, printmaking, ceramics, photography and sculpture. Interdisciplinary and collaborative projects are encouraged within the department. The program’s primary goal is to provide students with opportunities to develop a high degree of professional competence in their chosen area of concentration.

Visitor to the Lee Gallery viewing painting by MFA Alumnus, Jerry Gorman '83
Visitor to the Lee Gallery viewing painting by MFA Alumnus, Jerry Gorman ’83

Unveiling the Unspoken: Clemson University alumna’s artistic journey in “Where I’m From”

In the heart of Clemson, South Carolina, the Clemson Area African American Museum (CAAAM) showcases “Where I’m From,” an art exhibition that provokes thought and deep reflection by Bachelor of Fine Arts (BFA) alumna Felicia Gibbs Greenlee ’93. This compelling showcase offers a unique visual exploration of Southern upbringing, unveiling unnoticed aspects of life.

The Opening Reception on December 27 marked the commencement of the exhibition, inviting attendees to immerse themselves in Greenlee’s artwork that catalyzed her storytelling. The fusion of art and narrative layers reveals the South’s often-overlooked share of her unspoken truths.

Reflecting on her Southern roots, Greenlee said, “As I grew up here in the South, I noticed things that no one else seemed to notice and no one seemed to talk about. This feeling stayed with me throughout my life, and I felt compelled to share it in my work. The ‘Where I’m From’ Art Exhibition represents how I see America.”

Her wood collages pay homage to the resilience of the African American community, employing elements like chains and the American flag in abstract and figurative forms.

BFA Alumna, Felicia Gibbs Greenlee '93 describes her exhibition to a visitor
BFA alumna Felicia Gibbs Greenlee ’93 describes her exhibition to a visitor

Originally from Philadelphia, Greenlee’s relocation to Seneca, S.C., at the age of eight marked the beginning of her artistic journey. After earning her BFA in 1993 from Clemson University, she pursued a career as a textile designer while nurturing her unwavering passion for art.

Visitors are invited to explore the profound narrative within “Where I’m From,” providing a unique opportunity to engage with Greenlee’s observations and experiences. The exhibition runs until May 23, with gallery hours from Tuesday to Friday, 10 a.m. – 4 p.m. and the first Saturday of the month, 11 a.m. – 5 p.m., located at 214 Butler Street in Clemson. 

Greenlee’s interview with Clemson News has been edited for length and clarity.

Clemson News: What made you pursue a BFA degree at Clemson University?

Felicia Gibbs Greenlee: Several relatives worked at Clemson University, as well as my mother, now retired after 31 years. She would take my older brother and me to plays and other events on campus. My brother and I would explore the campus, and I put it out into the universe that I would attend Clemson University one day.

CN: When did you begin creating in wood?

FGG: In 1995, I received an opportunity to exhibit my work. All the pieces in the show were from my college years as a BFA student at Clemson University. During the show, I realized the few pieces I liked were those done in wood. After that show, I decided to focus on creating wood pieces. I took a departure from traditional canvas painting, but I continued drawing. 

CN: What is your inspiration for the exhibition?

Good Times inspired me to become an artist. The television program led me to believe that the world saw me. As I got older, I noticed that the world did not see me at all. My ancestors and culture are absent from the history books and museums. The world did not think I would notice.

FGG: As a young girl, I was first introduced to art on the 70’s television show Good Times. I only watched the closing credits to see the camera pan over the painting “Sugar Shack” by Ernie Barnes. The figures in his painting seemed to come alive and move to the sounds of the music. After a couple of episodes, I realized there were more paintings revealed, and I began watching the entire show. 

Clemson University Bachelor of Fine Arts (BFA) alumna, Felicia Gibbs Greenlee '93
Clemson University Bachelor of Fine Arts alumna Felicia Gibbs Greenlee ’93