Clemson Visual Arts

Clemson World Features Former Art Department Chair, John Acorn’s Public Artwork, “Friday Flyers”

When John Acorn was in elementary school, he and his classmates would get their graded tests back from their teachers every Friday so that they could take them home and share them with their parents.

“I have to admit I was a very good student,” he laughs. “I loved going to school, so I had no reason to dispose of [my tests].” But that wasn’t the case for all of Acorn’s friends. On the walk home from school Friday afternoon, “the guys — mostly guys since the girls were brighter than the boys — would fold their tests into paper airplanes because they weren’t going to take them home to show their parents, that’s for sure,” Acorn says. “We lived on a street which backed up onto a cemetery, and as we would walk home up the hill, the guys would zip their airplanes over the fence into the cemetery.”

This lighthearted childhood memory was the inspiration behind “Friday Flyers,” the name of the six oversized, aluminum paper airplanes scattered across Clemson’s campus. Some are easy to spot, while others lie half-hidden. The planes were originally part of a larger art project Acorn was developing in 1996 when he was the chair of the art department at Clemson.

“Jim Barker was the dean of the College of Architecture when I was with the art department,” Acorn says. “Along with a number of other people, he was very interested in having artwork on campus. Art in public places was a very hot issue a couple of decades back when the National Endowment for the Arts was sponsoring projects all over the United States.” The original project included various objects related to childhood that would be placed all over campus, but when it wasn’t feasible financially, Acorn suggested stripping the project down to the paper airplanes.

Each airplane’s location and position on campus is as if it were thrown from the Hendrix Student Center, “sort of landing as if they just by chance earned that place.” As a remnant of Acorn’s own childhood, the paper airplanes represent the transition between youth and adulthood, symbolizing themes like chance, discovery and progress.

“They indicate the idea of leaving behind your early years, and now you’re off to something brand new and exciting — you know, the college experience.”

 

 

 

 

 

 

 

 

More about John Acorn and his Friday Flyers

John T. Acorn  Emeritus Faculty Emeritus College, Former Chair and Professor Emeritus of Sculpture. Acorn joined the CU faculty in 1961 and become chair of the department of art in 1976, a position he would hold until retirement in 1997. In 1998, he was given the prestigious Elizabeth O’Neill Verner Award, which is bestowed by the South Carolina Arts Commission as the highest honor the state gives in the arts. He also received Clemson University’s Distinguished Emeriti Award in 2010. Above photo was taken in his studio with models of some of his previous work, “Friday Flyers”. In 2002, two years after the creation of the Hendrix Student Center, former Department Chair of the Arts Department, John Acorn, developed a creative art project titled Friday Flyers. Initially known as the John Acorn Project, Acorn designed and erected six, eight foot aluminum airplanes replicating the form of basic paper airplanes.

 

Originally featured in the Clemson World’s Landmark and Legends by Sara Ann Hutto ’17: https://clemson.world/friday-flyers

Husband and wife visual arts alumni duo of Alberta Pottery in Greenville featured in Clemson World

Congrats to Erin MFA ’03 and Jason BFA ’01 Hall, husband-and-wife duo of Alberta Pottery in Greenville for being a Clemson World Magazine social media alumni feature!

Names: Erin and Jason Hall

Majors: Erin – MFA in ceramics, Jason – BFA with concentration in ceramics

Graduation Years: Erin – 2003, Jason – 2001

Current Roles: Owners of Alberta Pottery, LLC

We met in the clay studio at Clemson while Jason was finishing his BFA and I was starting my MFA. We went our separate ways after graduation, but seven years later, we ended up with studios next to each other in Greenville’s Village Arts District. We dated five years and were married in 2012. We’d both been making pottery part-time for several years before we decided to take the leap to begin making studio pottery full-time, exhibiting our work at national juried festivals, shows and galleries. We started Alberta Pottery, LLC in 2014.

–Erin, what is your favorite thing about creating pottery?

Playing in the mud! Seriously though, I love being a small part of someone’s day, that first cup of coffee in that favorite mug. There’s a form of intimacy present in clay objects that is not intrinsic to other art forms.

 

–Erin, what is your advice for recent grads?

It’s easier to steer a ship if it’s moving than when it’s dead in the water. Even if you don’t know exactly where you’re going, it’s better to start moving in the general direction of your dream than do nothing at all waiting for the perfect job or circumstance to come along.

 

–Jason, what was a challenge that you had to overcome artistically that helped you get you to where you are now?

One of the biggest challenges for me to overcome was believing I could be a full-time artist. Everyone I knew was an engineer! Attending Clemson gave me a great foundation artistically, but I still found it be a challenge to believe in my own ability to find a market for my work.

It’s easier to steer a ship if it’s moving than when it’s dead in the water. Even if you don’t know exactly where you’re going, it’s better to start moving in the general direction of your dream than do nothing at all waiting for the perfect job or circumstance to come along.

 

–Jason, what is your advice for young crafters and artists?

Someone gave us good advice recently: “Work the ground you’re given”. Stay focused and don’t get distracted or discouraged by what everyone else is doing (especially on social media, which is illusory at best). Practically speaking, we recommend keeping your overhead as low as possible. Set up a small studio, even if it’s in a corner of your apartment or in your parents’ garage (Erin’s was), and let it evolve over time. Stay out of debt if possible, and buy materials instead of renting space. Make as much art as you can, edit it and get the best of it out there!

 

–Both of you, what is your favorite Clemson tradition?

We love Clemson blue cheese and chocolate milkshakes!

 

Check out more of Alberta Pottery here: www.albertapottery.com
Instagram: @albertapottery

 

Pursuit of Passion: Art Cellar’s owner in Greenville, Lindsay Louise McPhail, BFA Alumna ’09

Stepping into the Art Cellar means being greeted with bold primary colors, pretty pastels, trinkets to take home and statement pieces to hang above mantels. It’s not just a place for artists to sell their wares, but also a home for art education and mentorship.

Lindsay Louise McPhail, the Art Cellar’s owner, wanted to be an artist and a teacher. She’s living the dream — just in a different venue than originally planned. These days you’ll find her in the back of the converted restaurant’s old kitchen in downtown Greenville throwing clay or teaching printmaking for ceramics. “I’ve always considered myself an artist,” she said. “I’ve always drawn and painted, and I’m always doing projects at home.”

After graduating from Clemson with a bachelor of fine arts in visual arts and working a few years, McPhail was planning to go through South Carolina’s Program for Alternative Certification for Educators (PACE) to go into a traditional K-12 classroom and teach art. But then an underground art gallery in downtown Greenville put up a “For Sale” sign. “I called the owner, and she said her husband was sick, and she could no longer care for him and the business,” she said.

McPhail acted fast. Without any formal business education, she quickly got together a deposit for the business, developed a business plan and dove into an adventure she’d never planned. “It’s hard to describe just how surreal it all feels. I just feel very lucky that I get to do art every day and pursue my passion.”

McPhail’s gallery was on South Main Street for two years before outgrowing the space and moving to North Main Street. Now across from Noma Square, she features more than 50 local artists in gallery space. In addition to offering monthly classes in painting or ceramics, McPhail’s business also houses three other artists-in-residence working in the studio.

The new space also gives artists more visibility than ever before with the new layout and the location, McPhail said.

“As an artist, the main thing you want is visibility, “she said. “Artists want to be working and creating in the studio. They may not have somewhere to display and sell, nor want to do it themselves. We provide that space downtown for them.”

Clemson World Feature: https://clemson.world/pursuit-of-passion-lindsay-louise-mcphail-09

Spring Ceramics Studio sale and CSArt shareholders event to be April 25

Media Release

CLEMSON — The ceramics studio in the department of art at Clemson University will hold its Spring Ceramics Studio sale and Community Support Art (CSArt) Pick Up from 10 a.m. to 5 p.m. April 25 in the hallway in front of the Lee Gallery in Lee Hall.

The popular annual Spring Ceramics Studio sale is a fundraiser that supports student travel to the National Council on Education for the Ceramic Arts conference, as well as other professional activities to help further student research and collaborations.

2018 Spring CSArt team members and artists

The sale showcases a wide selection of both functional and sculptural artwork by ceramics undergraduate and graduate students, and faculty.

CSArt spring 2018 shareholders are invited to pick up their shares, meet the artists and celebrate another successful semester of student artwork.

The annual Ceramic Bowl Sale will be held again in fall 2018, in time for the holidays.

Visual arts students artwork on full display this spring

Media Release

CLEMSON — Clemson University visual arts students will be on full display this spring in the Clemson University Center for Visual Art’s (CVA) gallery spaces.

The second half of the semester features a calendar full of student exhibitions. Both Bachelor of Fine Arts (BFA) and Master of Fine Arts (MFA) graduating students present a comprehensive show of artwork weeks prior to graduation. These exhibits are a special time for visual art students, allowing them to reflect on the transformational experience Clemson has provided and choose pieces that best personify the student’s creative achievements.

BFA senior exhibits and MFA thesis exhibits showcase the culmination of year-long research endeavors. Visual Arts students go through a series of critiques aimed at helping build a body of work of the students’ choosing. The public is invited to join the conversation by attending the artist talks, followed by the artists’ receptions. Join the CVA this spring to see the next generation of artists.

MFA Thesis Exhibit – Statera: A Place Between

 

Master of Fine Arts Thesis Students, Susan Vander Kooi and Carey Morton will present an exhibition illustrating the importance of interconnected relationships between people, landscape, and the natural world. Throughout history, there has been a deep human connection to the earth and recognition of our position within space that contemporary culture is potentially forgetting. This work acknowledges the tangible and intangible attributes of human dependence on, and relationship with, the land, nature, and visceral experience. Utilizing sculpture, the artists blur boundaries, explore the need for balance, and challenge viewer perception.

 

BFA Senior Exhibit #1 – Take Shape

Apr. 9–13, M–F, 9 a.m.–4:30 p.m., Lee Gallery

Artist Talks and Reception – F, Apr. 13, 6–8 p.m.

Take Shape will feature works by Mariana Aubad, Leah Brazell, McKenize Fletcher, Hannah Gardner, Amanda Hazell, Kara Lerchenfeld, Cody Miller and Anna Rice.

 

BFA Senior Exhibit #2 – Existence

Apr. 18–25, M–F, 9 a.m.–4:30 p.m., Lee Gallery

Artist Talks and Reception – F, Apr. 20, 6–8 p.m.

Existence will feature works by Lainee Craft, Caroline Herring, Mary Jo May, Zoe Rogers, Michala Stewart, Heather Suttles and Samantha Trivinia.

 

Additional student artwork currently on display until Apr. 19 is the Next Up Invitational Exhibit, Sikes Hall Showcase, Ground Floor.

Wrapping up the end of spring semester will be the Spring Ceramics Studio Sale and the Community Support Art (CSArt) Share Pick Up, Apr. 25, 10 a.m.-5 p.m. outside of the Lee Gallery along with the Foundation Review, Apr. 27. Students who have completed their Foundation studio courses in the Department of Art at Clemson University will showcase their creative efforts in the Lee Gallery. The showcase is a review of student progress and an opportunity for the Department to share the work of these art students with a local audience. Opening reception will be 6-8 p.m.

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The Center for Visual Arts
The Center for Visual Arts (CVA) at Clemson University is where students, visitors and scholars explore contemporary perspectives in art and culture through research, outreach programming and studio practice. With a mission to engage and render visible the creative process, the CVA is a dynamic intellectual and physical environment where art is created, exhibited and interpreted. It educates through academic research and practice with art at its core, drawing upon varied disciplines to examine critically cultural issues and artistic concerns.

Student group Atelier InSite commissions a new ‘Foundation’ at Clemson

Media Release

CLEMSON — Between the walls of Lee III, Clemson University students learn the foundations of art and architecture. The award-winning building is home to many of the College of Architecture, Arts and Humanities’ programs – and now it’s home to “Foundation,” a new piece of public art that seeks to inspire students, faculty and visitors alike.

The large-scale installation is already receiving acclaim – it was featured in Archinect earlier this year.

Recently installed Public Art Project located near "The Wedge" in Lee III

Foundation seduces and seductively persuades you to initially lock into the seemingly estranged golden phenomenon in the center of the room but unbeknownst to you, such an act is purely a masterfully crafted architectural device of deception to allow the graphic which has inconspicuously enveloped you within its two-dimensional domain to take hold.  ~ Anthony Morey, Archinect.

Artists Volkan Alkanoglu and Matthew Au are no strangers to having their work featured on college campuses. Their art projects can be seen at the University of Oregon, Portland State University and Georgia Tech.

Au, a teacher at the Southern California Institute of Architecture, and Alkanoglu, a teacher at Harvard University, have also spent a significant amount of time in architecture buildings across the country. For both of them, Lee III was a blank canvas.

“Lee III is definitely a state-of-the-art facility and a great place to educate creative minds. The building acts almost as a blank canvas waiting to be filled with content and ideas by students creating an inspiring environment. As architects, designers and artists, we are constantly looking for new ideas and forms, but at the end, we are disciplines who produce culture. Lee III is a great facilitator for this endeavor.”

“Foundation” was commissioned by Atelier InSite, Clemson’s public art program. The student-driven Creative Inquiry initiative brings artwork to campus as part of Clemson’s Percent for Art policy. Guided by Thomas Green Clemson’s belief that art is “the magic bonds which unite all ages and nations,” the policy requires that 0.5 percent of the construction value of any new capital project is set aside to be used for public artwork. Students must also be instrumental in the process of commissioning work.

Image of "Foundation" installation in Lee III w/ quote from artists: Our approach to art and design is founded on the notion of multidisciplinary collaboration and prides itself on its ability to work in partnership with our constituencies. In this case the extraordinary Clemson community and student body.“Working with students to bring art to campus is a uniquely Clemson project,” said David Detrich, an art faculty member who works alongside Joey Manson and Denise Woodward-Detrich to lead Atelier InSite’s efforts. “Each piece goes through a ‘by students, for students’ process. Everything we commission comes to campus through student engagement.”

For many students, participating in a creative inquiry project that’s “by students, for students” sparks their interest. For others, it’s about making their mark on campus.

“To me, getting to be an integral part of the way the Clemson campus evolves is not only a huge honor, but it allows me to contribute something to campus I love with all my heart. It will be around when I come back as an alumnus with my family,” said W. Cody Miller, a visual arts major with a concentration in sculpture.

This is the second project senior Michala Stewart has worked on with Atelier InSite.

“I was drawn to Atelier because I liked the idea of being part of a team of people who were passionate about public art and who got real-life experience implementing it onto our campus,” said Stewart. “Art brings different ideas and disciplines together – it is both creative and intellectual. It’s important to have art on campus because it can be something that connects everyone and prompts valuable discourse.”

Stewart also helped assemble Illuminated Chroma Wind Trees” earlier this year, which sits in front of Clemson’s Core Campus.

“It is exciting to be a part of this selection process because I get to have a say in the final outcome,” said Stewart. “It’s an honor to be a part of something that isn’t normally in the hands of students. I feel privileged that my opinion is valued and that I get to be a part of the process from start to finish, from the business side to the hands-on side of installing work on campus.”

Fine arts student Samantha Trivinia says Atelier InSite gave her the opportunity to learn another side of the art business.

“I was initially attracted to Atelier InSite because I wanted to find out how exactly an artist went about trying to get a piece in a public area. I had no idea what went into it or where to begin. I was curious to see if public art was a field I would like to pursue after college,” she said. “Atelier is real-world experience; it gives you a chance to contribute to the campus and leave an impact that will be around much longer than you or I.”

Trivinia also sees Atelier as a unique opportunity for students to work with others from a variety of backgrounds and to expand their skill sets.

“It helped me personally with public speaking and presenting to a real audience in a classroom as well as how to work successfully in a group,” said Trivinia.

This is the third large-scale piece since the inception of Atelier InSite in 2012.

The next installation will be located near the Allen N. Reeves Football Complex. Gordon Huether has been commissioned for the piece. His work has been exhibited at museums and galleries and is collected across the United States and internationally. He has received more than 70 public art commissions and more than 175 private commissions.

Image of Foundation - 4 large gold images that hand from the ceiling of Lee III

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Passport to the Arts combines art and technology

 

 

Media Release

The Lee Gallery at the Clemson University Center for Visual Arts and the Arts Center of Clemson will host the popular and unique celebration of the arts with the signature town-gown event “Passport to the Arts” 6-9:30 p.m. March 2.

Now, in its eighth year, Passport to the Arts, which continues to see a sold out crowd year after year, remains to be an exciting and popular “Town and Gown” event. Join the Lee Gallery and the Arts Center of Clemson as they host an evening full of art, entertainers, live music, drinks and exceptional food showcased at four different locations.

This event highlights the incredible local talent housed in the town of Clemson and surrounding area. Clemson celebrates its longtime standing as one of the top town-gown relations according to The Princeton Review. Attendees and area businesses have supported the event that is truly an exceptional evening highlighting the beauty of this nationally renowned relationship.

Attendees receive a “passport” at an announced starting location, and stamp their books at several venues as they travel through Clemson on provided transportation. Many of the pieces are on sale and being debuted for the first time in the four gallery venues. Additional highlights from this year’s event will be the integration of student digital art that celebrates the intersection of art and technology in the Watt Family Innovation Center. All attendees also will have opportunity to engage with the many offerings of the Center such as creating their own virtual reality art through the Immersion Space.

At each new venue, a new batch of local food, music, art, and creativity will be on display. During Passport to the Arts, entertainment is at every turn — even on the shuttle; local musicians greet you with their talents as you travel through Clemson. This innovative combination of art and entertainment has made Passport to the Arts the “Town and Gown” event of the year.

Clemson Area Transit (CAT) offers transportation for the Passport to the Arts tour. All shuttles feature entertainment, making the ride to each venue a destination in itself. The locations this year include The Arts Center of Clemson, the Clemson Area Transit facility, Lee Gallery at the Clemson University Center for Visual Arts and Watt Family Innovation Center.

Click this link see photos from past Passport to the Arts: The following businesses make this event possible: https://www.flickr.com/photos/passporttothearts/albums

Click this link to view the video: https://www.youtube.com/watch?v=e4ujEQuUSHY

Buy tickets by visiting clemsonpassport.org. For more information, contact Center for Visual Arts Marketing and Public Relations Director, Meredith Mims McTigue, mmims@clemson.edu.

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Current event partners and sponsors

The following businesses make this event possible: Clemson Area Transit, Clemson Downs, Isaaqueena Pediatric Dentistry, PrintSmart, Watt Family Center for Innovation.

 

Lee gallery hosts ‘Troubling Beauty’ artist talk and closing reception Feb. 8

Media Release

“Troubling Beauty” showcases original paintings and hand cut paper collages on view at the Lee Gallery at the Clemson University Center for Visual Arts with a artist talk and closing reception Feb. 8.

Yvette Cummings Oil on Canvas 48″ x 60″

Culling through scattered memories of the past and current experiences with her daughters, Yvette Cummings art explores the complicated path of youth, beauty, femininity and transitions from childhood into self-awareness.

“Yvette’s work is provocative and dynamic referencing human development in a world filled with paradoxes and complexities,” said Director Woodward-Detrich.

Her use of strong and brightly colored backdrops and decorative motifs draws the viewer into a world that is both overpowering and disarming. Juxtaposed to the backgrounds are innocent exchanges between various figures that evoke a tenuous uncertainty. The relationship between these moments presented in the work and the artist skill at painting, present complex and emotional paradoxes for the viewer.

This body of work is perfect to showcase on a university campus as it poses important questions about society, social expectations and boundaries for all to ponder,” said Woodward-Detrich.

Originally, from Grand Rapids, Michigan, Cummings currently lives in Conway, South Carolina where she teaches at Coastal Carolina University. She received a master’s degree in Fine Arts from the University of Cincinnati’s School of Design, Art, Architecture and Planning, where she was the recipient of the Wolfstein Travel Fellowship to Spain. She taught as an adjunct professor at the University of South Carolina (USC) Department of Art in Columbia, S.C. and was awarded the Stephen J. Dalton Teacher of the Year from USC in 2011.

The commitment of the Lee Gallery at the Clemson University Center for Visual Arts continues to support the university’s Clemson Forward strategic plan to provide educational activities that expose students to research through artistic means.

There will be an artist gallery talk and closing reception beginning at 5:30 p.m. on Thursday, Feb. 8. The artist talk and reception are free and open the public. For more information about this exhibit, contact Lee Gallery Director, Denise Woodward-Detrich at woodwaw@clemson.edu.

Striking a balance between nature and the current global consumer culture with Drifters Project art exhibition

Media Release

Drifters Project Art ExhibitionThe Lee Gallery at the Clemson University Center for Visual Arts (CVA) first art exhibit of the fall semester focuses on the importance of striking a sustainable balance between nature and the current global consumer culture with Pam Longobardi’s “Drifters Project,” on display Aug. 21-Sept. 27.

Plastics are integrated with every aspect of our lives from the smallest little toy to life sustaining medical equipment and every other place in-between.  Artist Pam Longobardi utilizes these discards to make installations that explore our global culture through plastics that have been transformed by the ocean then collected, documented and re-presented by the artist into the gallery context.

“I am interested in the collision between nature and global consumer culture. Ocean plastic is a material that can unleash unpredictable dynamics,” Longobardi said. “I am interested in it in particular, as opposed to all garbage in general, because of what it reveals about us as a global culture and what it reveals about the ocean as a type of cultural space, as well as a giant dynamic engine of life and change.  As a product of culture that exhibits visibly the attempts of nature to reabsorb and regurgitate this invader, ocean plastic has profound stories to tell.”

The “Drifters Project” began in 2006 after Longobardi encountered mountains of plastic being deposited on remote islands in Hawaii by the ocean. Since that time she has removed thousands of pounds of material for re-examination. Visitors to the Lee Gallery will experience various installations along with select paintings and drawings.

This innovative art collaboration is part of the Lee Gallery at the Clemson University Center for Visual Arts (CVA) commitment to support the institutions 2020 ClemsonForward Strategic Plan to provide educational activities that expose students to research through artistic means. This type of exposure encourages dialogue surrounding supporting a sustainable environment.

The Lee Gallery at the Clemson University CVA will be open for this exhibit 9 a.m.–4:30 p.m. Mondays-Thursdays. It is located in 1-101 Lee Hall, 323 Fernow St. There will be artist talk followed by a reception on Aug. 25, 5:30 p.m. The exhibition, artist talk and reception are free to the public because of the generous support given to the Center for Visual Arts. For more information about this exhibit, contact Lee Gallery Director, Denise Woodward-Detrich at woodwaw@clemson.edu. Visit www.clemson.edu/cva to learn about exhibitions in the Lee Gallery as well as other Center for Visual Arts activities and events.

Supersystems Exhibition by Art Faculty Kathleen Thum on Display in Downtown Greenville

Supersystems by Kathleen Thum
August 14 – June 4, 2018
8 a.m.–5 p.m. Monday-Friday

The drawings and paintings in this exhibition are a hybrid of various human physiological systems, which are depicted through abstract networks of forms, shapes, lines, marks and color. Like our internal anatomy, the structures in these works are layered, linear, flowing, clustered, open, dense and intertwined. Referencing medical illustrations, industrial systems and topographical maps, Kathleen Thum playfully creates her own imagery to portray the fascinating inter-workings of our bodies.

 

About the Center for Visual Arts – Greenville

The Clemson University Center for Visual Arts in Greenville reopened Oct. 2, 2015 on the fifth floor of the Greenville ONE building. The Southeast Regional Juried Photographic Exhibit was the first exhibition in the ONE building launching the new venue for the center.

The Southeast Regional Juried Photographic Exhibit also launched a new partnership between the Center for Visual Arts in Greenville and Clemson’s Master of Business Administration program to bring the center’s art outreach activities into the heart of downtown Greenville.

“It is with great enthusiasm that we embrace this new exhibition space in Greenville ONE and we’re grateful to the folks in the MBA program for their interests and their collaborative spirit in opening their doors to this partnership,” said Greg Shelnutt, chair of the Clemson University art department. “Having a place to grow our presence in Greenville where Clemson students interact with the arts community is a welcomed opportunity.”

The new agreement also allows the Center for Visual Arts in Greenville an opportunity to hold artist talks, workshops and receptions related to the current and future exhibits in the ONE building.

“The MBA program is very excited to partner with the Center for Visual Arts to share Clemson’s facility at Greenville ONE with a wider audience,” said Greg Pickett, senior associate dean in the College of Business and Behavioral Science. “I’m looking forward to experiencing the various exhibits and I think they are going to add a new life to our already vibrant location and provide a wonderful way for Clemson to engage with downtown Greenville.”

From Jan. 2013 to Sept 2015, the Center for Visual Arts has operated a satellite facility in Greenville in leased space in the Village of West Greenville.

“We are grateful to Richard and Gwen Heusel for leasing us space for two years in the Village of West Greenville,” said Richard Goodstein, dean of the College of Architecture, Arts and Humanities. “It was a great experience to be part of — and contribute to — that vibrant emerging arts community. We are also extremely grateful to the Community Foundation of Greenville for the $100,000 grant that made it possible for us to consider bringing Clemson Art to Greenville.”

2015-2016, the Center for Visual Arts in Greenville administered a five-part SmART Series at five venues in the Village of West Greenville.

“The goal of the SmART Series is to celebrate art and business expertise to the community at large,” said Shelnutt. Moving the series to five different venues in the Village of West Greenville not only showcases the Village but is representative of a more nimble approach to exhibition and programming for the Center for Visual Arts.”

The CVA – Greenville falls under the main umbrella of the Center for Visual Arts at Clemson University.

CVA in Greenville Location in the Greenville ONE Building
Address

One North Main Street, Greenville, SC 29601, 5th Floor

Hours

Open Hours: Monday-Friday, 8 a.m. – 5:00 p.m.

Parking

The closest parking garage to the Greenville ONE building is on Richardson Street.