The Case for the Humanities: Pedagogy, Polity, Interdisciplinarity. Lanham: Rowman & Littlefield, 2016.
Countering the perception that the humanities are unessential, this volume contends that their well-being has not only academic but also cultural, political, and existential ramifications. Our technologically-driven world possesses the means of its own destruction, while economic and financial policies undermine the very existence of our democracy.
Staffan Bengtsson, Heinrich Clairmont, Robert Norton, Johannes Schmidt, and Ulrike Wagner: Herder and Religion. Contributions from the 2010 Conference of the International Herder Society at the University of Notre Dame, South Bend, Indiana. Heidelberg: Synchron, 2016. 260 pages.
Those interested in the nature and wide-ranging impact of Herder’s religious thought will find this volume to be a valuable companion. The contributors participated in the 2010 meeting of the International Herder Society at the University of Notre Dame, and they approach the question of what religion actually meant for Herder by examining the relationship between the shifting nature of his response and his angle of vision.
Richard Wagner: Self-Promotion and the Making of a Brand. Cambridge: Cambridge University Press, 2010. Paperback 2012.
All modern artists have had to market themselves in some way. Richard Wagner may just have done it better than anyone else. In a self-promotional effort that began around 1840 in Paris, and lasted for the remainder of his career, Wagner claimed convincingly that he was the most German composer ever and the true successor of Beethoven.
Ihrie, Maureen, and Salvador A. Oropesa, eds. World literature in Spanish: an Encyclopedia. Santa Barbara, Calif.: ABC-CLIO, 2011
Providing a thorough introduction to Spanish-language literature worldwide and across time is a tall order. However, World Literature in Spanish: An Encyclopedia contains roughly 850 entries on both major and minor authors, themes, genres, and topics of Spanish literature from the Middle Ages to the present day, affording an amazingly comprehensive reference collection in a single work.
Francophone Women Writers: Feminisms, Postcolonialisms, Cross-Cultures. Preface by Maryse Condé. Lanham: Lexington Books Publishing, 2011.
This anthology seeks to introduce women writers in the “global” Francophone world by investigating the place of feminist, postcolonial and cross-cultural theories in interpreting women francophone literature.